He held up the comic book to show us the cover. It had a slim, attractive woman with flowing dark hair, wearing what he perhaps rightfully described as a ‘Catwoman’ costume- a body-hugging leotard made out of either leather, rubber, vinyl or some combination of these (I can barely recognise fabric if I touch it with my fingers so my inability to make definitive remarks about the material of the afore-mentioned leotard based on a drawing is hardly surprising). The comic book, or graphic novel if you prefer, in question was Devi by Virgin Comics and the speaker proceeded to remark that he didn’t really like devi (Hindu goddess), being depicted in a Catwoman-esque fashion. By contrast, he was a huge fan of Amar Chitra Katha, which dutifully depicts goddesses wearing the kind of apsara-like attire Sridevi wore in songs that invariably involved coloured powder, earthenware and more often than not, Jeetendra. The expressions of the two versions of devi are also remarkably different. The traditional devi looks benign, with flour-white cheeks like Madhubala, a bindi, and a slight smile. The new one by contrast has a much leaner face, more athletic body, no jewellery or adornment and usually has a more intimidating expression. Catwoman-devi makes no attempt to hide her anger where as apsara-devis ride ferocious beasts while retaining their Mona Lisa smiles. All the aggression is projected onto the lion she is sitting on you see.
The speaker’s distaste for the Catwoman-devi got me thinking about whether his opinion was a fleeting manifestation of a more widely held attitude towards women and sexuality in Indian society and culture. Before you accuse me of reading too much into his remark, allow me to add two further points. First, the same speaker had previously made an admittedly sexist comment about how certain comic books were ‘girly’ because of their preference for floral patterns, pinkish hues and whatever else he associated with feminine tastes. By contrast, he felt some other comics were more suitable for ‘boys’ because of their dark colours and depictions of weapons and war. Second, before he came to Devi by Virgin Comics, he had expressed appreciation for the art in new-age Indian comics that had transformed ancient myths and stories like the Mahabharata and Ramayana to make them more relatable to readers today by using imagery similar to Tron, X-Men and such like. This led me to believe that his dislike for the new-age devi stemmed not from a general aversion to new-age animation but from something else entirely. To put it simply, he didn’t seem to mind Ram being depicted as a chiselled, muscular fellow with flowing tresses, black pants, no shirt and no jewellery.
The old devis of Amar Chitra Katha with their soft features, rounded figures and benign expressions represent a quality of nurturance and are more maternal than the lithe-bodied, scowl-faced devi in the black dress who represents a destructive, aggressive force to be reckoned with rather than someone whose lap a child would want to rest its head on.
Aggression and sexuality are inextricably related in the traditional Indian mindset, so any attempt to analyse attitudes to female aggression without looking at attitudes to female sexuality, or vice versa, will be incomplete. Textual tradition in India has for centuries warned against the raging, devouring, all consuming nature of female sexuality which must constantly be kept in check lest it swallows you whole in your sleep. Let us consider a few examples from that oft-quoted encyclopaedia of misogyny- the Laws of Manu.
For women are able to lead astray in (this) world not only a fool, but even a learned man, and (to make) him a slave of desire and anger."
"Women must particularly be guarded against evil inclinations, however trifling (they may appear); for, if they are not guarded, they will bring sorrow on two families.
…..He who carefully guards his wife, preserves (the purity of) his offspring, virtuous conduct, his family, himself, and his (means of acquiring) merit."
Sudhir Kakar has explored sexuality and the Indian psyche extensively and suggests that the idealisation of women’s maternal roles in society is an effort to guard against the terrorising force of female sexuality. While it is the sort of hypothesis that cannot be verified by empirical methods, it remains a plausible explanation for the dominant attitude towards women. Women must be controlled and as far as possible, kept indoors lest they go on some sort of rampage. Culture and tradition become the tools to oppress, prevent, prohibit.
The distinction between the desirable and the domesticated manifests itself in other ways. In their book, ‘Half the sky’, Nicholas Kristoff and Sheryl WuDunn observe that forced prostitution is disproportionately high in the most sexually conservative societies, including the Indian subcontinent. According to them, the reason for this is an underlying social contract in which men find satisfaction for their sexual frustration in brothels so that good, upper-middle class women can keep their virtue.
The confused morals and hypocritical attitudes to sexuality in Indian society are hardly secret but they continue to baffle. Take clothing for example. Much thought is given to the attire of women and girls who are sexually assaulted. Public figures have previously made embarrassingly ridiculous remarks about how girls should or should not dress or behave if they don’t ‘want’ to be victimised. Such attitudes- hideously off the mark as they are since women and girls continue to be sexually assaulted the world over regardless of whether they wear skirts, saris, burqas or bikinis- are not surprising in a climate where women must conform to traditional gender roles which often include a sartorial component- to be regarded in high esteem.
Devi, in a holistic sense of the term, represents the feminine aspect of the holy trinity- creator, preserver and destroyer. However, prescribed social norms tend to be in the arena of creation and preservation only. In the dominant socio-cultural paradigm that idealises maternal roles and elevates women to the status of goddesses purely to serve a patriarchal agenda, the destructive force of women has had to fall by the wayside.
It is not hard to see how the divine powers that society and culture bestow on women become the vehicles of oppression. ‘Because you hold the key to the family's honour, who else should be punished for bringing shame upon the family name?’ ‘You can’t leave your husband! After all, it is up to you to keep the family together!’ ‘You're a woman, blessed with huge reservoirs of tolerance and forgiveness… you should understand and forgive.’
No thank you I say! You are highly mistaken sirs and madams! I don't hold the key to anyone's honour but my own, and I'll fight to the death to defend it. I don't have the power to hold families together because I don't live in denial of the simple fact that family's are made of more than one person, each responsible for their actions. Let them shoulder that responsibility- I am done carrying it for them. And I certainly don't have an endless capacity to forgive or understand- it does not extend beyond the boundaries of rationality.
Unless I can claim all aspects- creation, preservation and destruction- of the holy trinity and until I can damn well take as much as I give, I'd much rather be a happy human being than an acquiescing goddess.
